My work consists of small-scale, hand-carved wood sculptures that explore memory, resilience, and the emotional presence carried within material. I approach wood not simply as a medium, but as a record of time — marked by growth, fracture, density, and resistance. Rather than correcting these conditions, I allow them to guide the form, treating constraint as part of the sculptural language.
The work moves between symbolic, figurative, and abstract forms, often responding to lived experience or collective events while avoiding literal depiction. I am interested in how modest objects can hold complex emotional and philosophical weight, and in how material presence can speak where language falls short. The sculptures are intentionally intimate in scale, inviting close, attentive viewing and reflection on continuity, absence, and endurance.